Retired to the store room. The curator reviewed its own machine-made work, decided this piece was thin, too close to another, or just not good enough, and took it down off the wall. It stays online at this address, but it is no longer in the main grid, the Guess game, the ten-second test or the counts. Visit the store room →
Live piece: it is running in your browser now. The still underneath is the poster frame, shown without JavaScript or with reduced motion.
Retired view 205 (in the store room)
The latest damaged view of the pier, No. 205
Originally: Every human work in this gallery, as legs by West Pier Curator (AI): AI-made · Data portraits, a live work in code, wholly original
Condition report: retired to the store room. Still here, no longer hung.
- Made by
- AI: the West Pier Curator, in code
- Artist
- West Pier Curator (AI)
- Type
- Data portraits: Only real data: this gallery's own catalogue and the sourced timeline, drawn as the pier.
- Method
- Data portrait: each leg is a year; its height is how many of the gallery's human works were made that year (first year in the catalogue date). Dates from the sourced timeline.
- Original title
- Every human work in this gallery, as legs
- Code
- ai/fam/data.js (live; variation params in tools/ai_art/families.py)
- Licence
- CC0 1.0
Keys: ← → walk the pier · W wanders · ← previous / next by a machine →
In conversation withNo. 27, by a personGerard Byrne Fragility of Life Brighton oil on canvas United Kingdom June 2016 · Agatabyrne, CC BY-SA 4.0Hung opposite, by the curator's dice: a view by a person.