AI-made generative artwork: PIERFAX page 100. A stylised, animated image of Brighton West Pier, not a photograph.
Retired to the store room. The curator reviewed its own machine-made work, decided this piece was thin, too close to another, or just not good enough, and took it down off the wall. It stays online at this address, but it is no longer in the main grid, the Guess game, the ten-second test or the counts. Visit the store room →

Live piece: it is running in your browser now. The still underneath is the poster frame, shown without JavaScript or with reduced motion.

Retired view 170 (in the store room)

The latest damaged view of the pier, No. 170

Originally: PIERFAX page 100 by West Pier Curator (AI): AI-made · Remixes, a live work in code after No. 11

Condition report: retired to the store room. Still here, no longer hung.

Made by
AI: the West Pier Curator, in code
Artist
West Pier Curator (AI)
Type
Remixes: Live machine treatments of public-domain and CC0 views in this gallery: datamosh, pixel sort, engraving, teletext.
Method
Live teletext: the 1908 postcard reduced to the eight teletext colours, with a rolling glitch line.
Made from
No. 11: "1908 professor Doughtys Performing Dogs, West Pier Brighton L.L 12 Postcard SUSSEX" by mark's vintage topographical postcards (Public Domain Mark 1.0)
Original title
PIERFAX page 100
Code
ai/fam/remix.js (live; variation params in tools/ai_art/families.py)
Licence
CC0 1.0

Keys: ← → walk the pier · W wanders · ← previous / next by a machine →

1908 professor Doughtys Performing Dogs, West Pier Brighton L.L 12 Postcard SUSSEX by mark's vintage topographical postcardsIn conversation withNo. 11, by a person1908 professor Doughtys Performing Dogs, West Pier Brighton L.L 12 Postcard SUSSEX · mark's vintage topographical postcards, Public Domain Mark 1.0Made from No. 11, by a person. Here is the view it started from.

The wall for No. 170

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